Zalika Azim

Gathering #1 (Double Dutch Study), 2021. Charcoal on paper, 32 1/2 x 22 1/2 inches (framed).

Installation views from MFA Thesis Exhibition #4, 2023. New Wight Gallery, The Broad Art Center, University of California Los Angeles (UCLA).

Blood Memories (or a going to ground), 2023. Video (color, silent), TRT 00:17:07. *Video link available upon request

Installation view of Propositions for an ontology (or to make amends with opacity), 2021 and Score I (Studies for Gravity), 2022 from MFA Thesis Exhibition #4, 2023. New Wight Gallery, The Broad Art Center, University of California Los Angeles (UCLA).

Propositions for an ontology (or to make amends with opacity), 2021. Five Dye over exposed diffusion transfer prints (Polaroids), 11 7/8 x 14 3/4 inches (framed) each.

Score I (Studies for Gravity), 2022. Letterpressed prints and ink, Dimensions Variable.

Score I (Studies for Gravity), detail, 2022. Letterpressed prints and ink, Dimensions Variable.

Image description: Three text panel works stained in wood finish and car oil, in a room with two found tires acquired from highways throughout Los Angeles, CA. Tires are placed on artist made pedestals. Installation view of works from developing series Photographs Not Taken. New Wight Gallery, The Broad Art Center, UCLA.

Tire II (coming’ up the rough side on our way home), 2021, Found object acquired from highway in Los Angeles, CA placed on artist made pedestals. Image description: Installation view of work from developing series Photographs Not Taken. New Wight Gallery, The Broad Art Center, UCLA.

Tire I (for what can not be remembered), 2021, Found object acquired from highway in Los Angeles, CA placed on artist made pedestals. Image description: Installation view of work from developing series Photographs Not Taken. New Wight Gallery, The Broad Art Center, UCLA.

Heard on higher grounds (the hunted have two primary tools for survival: imagination and hyperbole), 2021, C-print mounted on archival pigment print, 50 x 33.4 inches

A calling to those not there, who never arrive, and can’t stay (deep time), 2021, C-print mounted on archival pigment print, 50 x 33.4 inches

Somewhere in advance of nowhere (or how to move a line when it is buried in the earth), 2021, C-print mounted on archival pigment print, 50 x 33.4 inches

Until these calamities be overpast, 2018, Archival Pigment Print, 33 x 26 inches

To speak of a lush hot blooded land, to the dispossessed, too busy to visit, 2019, Twice impressed archival pigment print and gold ink, 33 x 26 inches

Text Impression (detail)

A place where the soul can rest (Visiting Aunt Louise), 2016/2018, Archival Pigment Print, 33 x 26 inches

To raise sand (twice by arson, once by catch fire), 2016/ 2018, Archival Pigment Print, 33 x 26 inches

To transplant in alien soil (far from the promised land both north and south), 2018, Inkjet prints mounted on Archival Pigment Print, 33 x 26 inches

The tale of his arrival, 2019, Twice impressed archival pigment print and gold ink, 33 x 26 inches

Text Impression (detail)

The north is no kinder mistress, 2016/2018, Archival pigment print, 33 x 26 inches

If you get there before I do (Space Traders), 2018, Archival pigment print, 22.5 x 17.5 inches

Totem (Untitled), 2019, Inkjet print and wallpaper, Image 15 x 11 inches, Wallpaper dimensions variable

Totem (Untitled), detail, 2019, Inkjet print and wallpaper, Image 15 x 11 inches, Wallpaper dimensions variable

Totem (Irrevocable Conditions), 2019, Inkjet Print, 15 x 11 inches

Totem (Untitled), detail, 2019, Inkjet print and wallpaper, Image 15 x 11 inches, Wallpaper dimensions variable

All content © Zalika Azim 2014-2022. Please do not reproduce any content on this site without the expressed written consent of Zalika Azim.